Tuesday, November 16, 2010
There is no need for size 10 (6mm) needles in addition to 10 1/2 (6.5mm). Check your gauge first, and if it works on one of the needle sizes, use those needles for the whole project.
You might want to use 24" long circular needles for the main piece and a set of short straight needles (the same size) for the straps.
Pattern has a typo; it should say "or" instead of "and" under "Materials" for the needle suggestion...
This piece is very flattering for all body types. You can wear it with leggings and as a layering piece over a long or short sleeve tank.
Saturday, September 18, 2010
To clarify and to correct this silly mistake...
With Yarn A CO 86 sts leaving a 6" tail.
Row 2: Knit with A..." Skip Row 1.
You don't need to knit 2 rows. Count your cast on as Row 1 and then knit 1 more row.
You need to end up on the same side as your 6" tail and every time you are changing yarns to create a fringe on one side of the shawl.
Sunday, August 22, 2010
F/W 2011-12 is a season of re-invention, rejuvenation an exploration.Value the concept of time... moving forward with new ideas, a need to play, escape, explore and shine. It is time to leave the past behind. This makes it a season of contrasts and alternatives, a time to lead not follow. . .
Passages of TimeTIME TO PLAY
The exploration of "self" through playfulness, and activity. Making time to have fun, experiment and be ever changing. Sport is re-invented through a new sense of color making it merge seamlessly with everyday life. Looking at culture for the techno age generation who are easily bored and in need of constant stimulation.
Color and Details
An energising palette of clear whitened winter greens, dusted with modern brights and a dark purple.
• Natural and synthetic of equal importance
• Drape, fluidity and movement
• Compact, dense and peached.
• Polished sheen achieved by fibre choice or mercerising.
• Yarns and fabrics that can perform and energise
• Technical finishes and new innovations
• Stretch and movement
• Graphic plays of colour and pattern
• Fresh stripes
• Simple micro textures
• Iridescent glow and rich lustre
A sense of protection is swathed in discreet luxury, enhanced by subtle beauty searching for a new perfection. A time to luxuriate in our own space, relaxation time, making time to improve, beautify and rejuvenate. A rough, raw dimension that hints at femininity with natural charm, rustic yet delicate, wild yet precious.
Color and Details
A powdered level of colors using pinkish taupes, warm copper and soft browns, enriched by deep rose and blue grey.
• Powdery finishes
• Soft shimmer and lustre
• Diffused surfaces through hair and brushing
• Feathery, twisted and ruffled
• Smooth luxurious shine
• B urnished metallics
• W arm soft textures
• B roken surfaces with a natural patina
• Delicate sheer textures and transparent looks
• Layering from fine to very chunky
• Extreme exaggerated stitches
• Blurred and subtlety broken plays on color
Making time to explore our own creativity and explore new ideas, looking at art activities such as painting, printing and crafts, but reinventing them in a futuristic way. Expressing our own individuality by making good use of our hands and enjoying embellishing, enhancing and creating new looks in a modern way. Finding time to create our own identity through freedom of spirit.
Color and Details
Rich, saturated levels of color in warm tones of russet orange, strong reds, golds and bronzes contrasted by vibrant teal and pinks, all merged together to give a moody, painterly dimension.
• Appearances are deceptive with handmade or rough looks, but with a soft to the touch feel
• Lots of surface interest
• Novelty textures and novelty fibre blends.
• Volume and rounded looks
• Hairy and raised surfaces
• Rich vibrant gold and metallic
• Velvety looks and touch
• Multi color effects in neps and marls
• Printing and hand painting
• Chunky but weightless
• Irregular textures
• Boiled and compact
• Rich bold use of pattern and color
A time to visit an era when things were special, cherished and refined, yet reconstruct it into the future to make it relevant to modern life. Combining a decorative legacy of the past with a streamlined futuristic vision enhanced by technology. A time to find exquisite beauty and perfection by looking at decorative form and modern adornment. Creating drama and intrigue, desire and satisfaction. Regaining our status to face the modern world.
Color and Details
Mysteriously deep and intense shades of inky blues, greys and blacks through to futuristic purples from dark to light. Shimmering yet burnished highlights of silver and gold offer decorative relief.
• Fine, threadlike counts, highly twisted
• Polished surfaces from bright shine to subtle sheens
• Sparkle of all kinds
• Burnished and aged metallics
• Fur and plush looks
• Feathery effects
• Rich velvety finishes
• Lace and ruffles
• Aged appearances
• Silky drape and fluid looks
• Subtle crinkle surfaces and delicate textures
• Extreme softness and lustre
• Exquisite embellishment and jewels used with finesse
Sunday, August 15, 2010
Monday, July 5, 2010
There is a small mistake in the Haiku Knits "Bird of Passage" pattern. The remaining amount of stitches for the back to place on the stitch holder should be 26 (26, 28) , instead of 25 (27, 28).
On the page 112, under "Armhole Shaping", the pattern should read:
"....Place rem 26 (26, 28) sts on st holder."
Sunday, June 13, 2010
12:00 - 5:00 PM
$50 + materials
(great to use up your left over yarn)
Hurry, space is limited to 6 people only
Make a lacy fiber scarf with ribbons, yarns, and fibers applied to
Sew your fibers together with simple thread play using a sewing machine.
No knitting experience necessary. Must know how to use a sewing machine.
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Thursday, June 10, 2010
I love the effect of this stitch, and I absolutely love this yarn. It's Lana Grossa Bolero (70% cotton, 30% polyamide)
Monday, June 7, 2010
It came to my attention that there is a typo in the Haiku Knits book. The Fisherman's Wrap requires less materials than listed in the book.
You will need only 4 balls of Habu Textiles A-137, not 5, only 3 balls of each A-29 and A-123, not 4 of each.
If you decide not to seam it, it can also be worn as a beautiful shawl.
Monday, January 11, 2010
This clarification especially important for those who will knit the vest in a Small size.
When you are ready to work on the Right Front (made with Kochoran Yarn), your first row should be the WS row of the pattern, other words, the pattern should read:
"With Yarn B and larger needles, CO 48 (50, 55) sts. Work in 2 x 3 rib starting with WS row for 1"..." (i.e. *K3, p2*). End with WS row.
Next Row (RS): Work 48 (50, 55) sts, cast on an additional 32 (35, 35) sts at the end of this (RS) row, 80 (85, 90) sts."
Wednesday, January 6, 2010
Here is a question on yarn quantities for the Snowflake wrap in Haiku Knits:
"...Thanks for setting up the blog for this book! I'm really enjoying the book, but do have a question about one of the patterns. In the "Snowflake" pattern, it says that the pattern comes in only one size, but there are yarn quantities listed as if there were three sizes, e.g.:"5 (5, 6) skeins of Cascade #8505" or "5 (5,6) balls of Graphite #570". I also work in an LYS where I expect there to be heavy interest in the book during one of our classes tomorrow, so I would love to know which is the correct quantity of these yarns to give our students accurate advice!..."
Thank you so much for catching this. It should have been clarified, and changed to: "5 balls of Cascade and 5 balls of Graphite..." with the note that "...if you would like to make the fronts longer, you might need an extra ball of each yarn..."
Here is the explanation:
Since this piece is just a long rectangle with sleeves, you can easily adjust or add to the length of the fronts and/or back, so if someone wants to make an adjustment, they might require an extra ball of each yarn.
Saturday, January 2, 2010
This was a question regarding the 'upper right front' of the Seaweed top from Haiku Knits.
I received the book early December and it's one of my favorites as it has many beautiful patterns!
I am knitting Seaweed at the moment and am busy with the 'upper right front' but the shape doesn't seem to match what it should be, please see attached photo. In my opinion I did follow the instructions..."
Here is the answer:
"The shape should look like this at first, and then, you'll be increasing more on the neck side, and then decreasing there for V-neck. My schematic might not be 100% exact at that narrow spot (it's partially under the arm), but not to worry, you are creating a curve there (it should have been more of a curve instead of the ..., sorry...the technical editor...made me simplify it), so keep increasing (following the pattern), you'll see, it'll be fine, especially after you sew it in place. See a better schematic attached above"